Sony Alpha FX5 Cinema Line + XLR Handle XLR-H2 (ILME-FX5) + SEL 16-35mm f/2.8 GM II

Lighting the Way to the Future
The FX5 paves the way for creativity and empowers filmmakers to confidently take the next step in their careers. It combines a professional cinematic look with sophisticated usability in a compact body, giving creators the freedom to bring their visions to life with greater precision, control, and expressiveness.

Multi-layer Exmor RS™ CMOS full-frame 5K image sensor for speed, detail, and dynamic range
The multi-layer Exmor RS CMOS full-frame sensor enables fast data readout for high-resolution, high-frame-rate recording. A wide dynamic range and low noise ensure smooth gradations and natural textures, even in high-contrast scenes.

BIONZ XR2™ with built-in AI processing for enhanced shooting support
The BIONZ XR2 processor has significantly improved image and sound quality, communication, operation, and much more. The built-in AI processing enables improved subject recognition and deep-learning-based ATW (Auto Tracing White Balance) control, so you can shoot with confidence.

Open Gate and Other Image Scan Modes
The FX5 offers full-frame Open Gate recording—a first for the Cinema Line FX cameras. With 5K at up to 120 fps (FF 3:2), 4K at up to 240 fps (FF crop), and more, you can customize your frame composition, speed, and workflow to bring even the most ambitious visions to life.

Internal X-OCN Compressed RAW Video Recording
Capture internal scene-linear X-OCN footage at 16 bits without the need for an external RAW data recorder. With LT, C1, and C2 codecs, you can adjust image quality, file size, and RAW workflow flexibility depending on your production needs.

Three base ISO settings for effective noise reduction in any environment
Depending on the shooting situation, three base ISO settings are available: a standard setting of ISO 800, a medium sensitivity of ISO 4000, and a high sensitivity of ISO 12800 for low-light conditions. Capture clear shadows and a wide dynamic range under varying lighting conditions for consistently breathtaking clarity.

An exposure range of over 15 stops for low-noise shadow detail
The wide exposure range allows you to capture highlight and shadow details with smooth, natural gradations. Low noise in shadows ensures clarity, texture, and atmosphere, allowing you to optimize your creative options for color grading.

Dual Gain Shooting is available for the first time in the Cinema Line FX camera series
Dual Gain Shooting maximizes the dynamic range while reducing noise to enhance shadow detail. The sensor’s full potential is utilized, resulting in smooth, natural color gradients for greater flexibility during post-production.

High frame rate recording, including 5K at up to 120^fps*1
High frame rates enable impressive slow-motion footage. The FX5 records up to 5K at 120 fps* and 4K at 240 fps*, enabling creators to capture fast-paced action with impressive detail and clarity—ideal for cinematic storytelling, as well as sharp sports and documentary footage.

*Starting in 2026, an update will be required for recording in 5K 120p and 4K 240p.
^1Whenrecording in X-OCN (C2) to a CFexpress Type A memory card.

Precise, reliable AF and tracking with AI-based subject recognition
Thanks to built-in AI processing, the BIONZ XR2 detects the eyes of people, animals, and birds (real-time eye-detection autofocus). Fast Hybrid Autofocus uses up to 759 points for precise focusing and tracking that can keep up with fast-moving subjects, even in dark scenes or when shooting with a shallow depth of field.

Built-in anamorphic correction function
The built-in anamorphic correction support simplifies anamorphic shooting on set. With settings of 1.3x, 1.5x, 1.6x, 1.8x, and 2.0x, the FX5 can be easily used with a wide variety of anamorphic lenses.

Deep Learning-based Illumination Estimation
Deep Learning-based illuminationestimation achieves unprecedented automatic white balance (ATW) even in challenging scenes. It ensures precise color reproduction, even under lighting conditions that previously often resulted in color casts.

S-Cinetone™ for cinema-quality footage
With S-Cinetone, Sony’s color technology is also available on the FX5, delivering natural skin tones, smooth tonal gradations, and a high-quality look.

Wide color gamut for greater control during color correction
The color gamut spaces exceed both BT.2020 and DCI-P3; S-Gamut3 and S-Gamut3.Cine, and provide comprehensive color information for more precise color correction and easier color matching with VENICE 2 during multi-camera shoots.

Three S-Log3 modes for flexible workflows
From cinematic shots to fast-paced, dynamic film shoots: choose Cine EI, Cine EI Quick, or Flexible ISO for shooting with maximum exposure latitude. You can also import up to 16 custom LUTs, allowing you to easily monitor the desired look in real time.

Built for professional sets

5-axis image stabilization for steadier handheld shots
A precision stabilization unit and gyro sensors provide in-body 5-axis optical stabilization. An improved stabilization unit doubles the compensation range for rotational movement, effectively reducing rotational shake during handheld shooting. The result is a camera that’s ideal for handheld shooting. The dynamic Active Mode offers additional electronic support, and the stabilization data can also be used during post-production.

Lightweight, compact design for flexibility on set
The compact, top-flattened body and sturdy grip simplify handheld shooting. Combined with Sony’s compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces, and more.

High-quality float audio recording at 96 kHz/32-bit
The XLR handle supports two XLR/TRS inputs, a 3.5-mm stereo mini-jack, and float audio at up to 96 kHz/32-bit. With outstanding audio recording on up to 4 channels, you can capture clear sound without slowing down the recording.

BIG6 home screen for faster on-set control
As with Sony’s high-end CineAlta cameras, the BIG6 screen (HOME) displays six essential settings: Frame rate, EI/ISO/gain, shutter, aperture, LUT, and white balance. With touch controls, a multi-function dial, and fixed/variable frame rate control, you can work quickly and efficiently.

Optional DVF-EL1 OLED Viewfinder for Easier Outdoor Monitoring
Add the optional OLED viewfinder to improve monitoring in bright environments. It features a 0.58-type OLED screen with approximately 7.07 million dots, a DCI-P3-equivalent color gamut, and a 10-bit display for outstanding color and detail.

Monitoring support for precise shots
Exposure and focusing tools such as waveform display, histogram, false color, and focus map help you make faster decisions on set. These tools allow you to reliably manage highlights, shadows, skin tones, and critical focus.

Clear Image Zoom for smoother, more intuitive image framing
Clear Image Zoom adds a [Smooth Priority] mode that enables seamless zooming from the optical wide-angle range to 2x digital zoom.
[Optical Zoom Priority] is a zoom mode that prioritizes image quality. When the optical zoom reaches its telephoto end, Clear Image Zoom takes over.

Two slots for CFexpress Type A/SD memory cards for flexible media workflows
Two CFexpress Type A slots support relay, simultaneous, and separate recording and also accept SDXC cards (UHS-II/UHS-I). Main and proxy files can be recorded to different slots.

Performance that can keep up even on long shooting days
With the high-capacity NP-SA100 battery (2,670 mAh), you can record for up to 170 minutes. Optimized power management, faster charging, USB Power Delivery (PD), and a battery level indicator make daily use easier.

The cooling system is designed for 170 minutes of uninterrupted recording time
An efficient fan cooling system and a modern design ensure that the camera stays cool even when the LCD screen is closed. With three fan modes—[Auto], [Minimum], and [OFF in REC]—you can balance cooling and noise according to your shooting needs.

Expandability and Workflow

Extensive lineup of expressive E-Mount lenses
Choose from a wide range of Sony E-Mount lenses: from ultra-wide-angle to telephoto and premium lenses, as well as high-performance powerzoom lenses and more. Advanced stabilization and AF support help you unlock the full creative potential of each lens.

Flexible monitoring, power, and timecode connections
The HDMI Type-A output port supports external monitoring, while dual USB Type-C® ports support timecode transmission, data transfer, and power delivery. You can also split recording information and image playback to suit the way you work on set.

Wired or wireless LAN connectivity for remote workflows
Wired high-speed LAN and 2.4/5/6 GHz Wi-Fi ensure smoother remote control, file transfer, and connected production workflows. The FX5 integrates seamlessly with modern multi-camera shoots.

Monitoring and control for remote operation from mobile devices
Monitor + Control enables wired or wireless monitoring and operation of multiple cameras via a smartphone, tablet, or Mac computer. Precise exposure tools and simultaneous control of settings support more efficient workflows for smaller crews.

Catalyst Prepare and Catalyst Prepare Plug-in
Catalyst Prepare and Catalyst Prepare Plug-in use camera metadata for quick review and correction of footage. They support formats such as X-OCN LT/C1/C2 and key features such as stabilization, lens breathing compensation, color/LUT tools, and transcoded export.

Sustainability

Accessibility Features for More Creators
Support for screen readers, menu magnification, and other accessibility features make the FX5 even more user-friendly for a wider range of creators. The lens mounting index, multifunction dial, and buttons are designed to be easily located by touch, enabling confident operation.

Recycled Materials in Cameras
Sony’s Road to Zero Plan aims for a zero carbon footprint by 2050. We use SORPLAS™, our durable, high-quality recycled plastic material, as often as possible to minimize our environmental impact without compromising performance. More than 30% of this product is made from recycled plastic, including SORPLAS. Our manufacturing facilities for imaging products in Thailand and China also operate on 100% renewable energy.

Plastic-Free Packaging Materials
Sony is working toward plastic-free packaging materials that provide comprehensive protection against shocks and impacts. For product pouches, we use a plant-based nonwoven fabric to further reduce the use of plastics and minimize environmental impact.

Planned Support After Market Launch
Updates are planned to add support for HFR recording at up to 240 fps in X-OCN format, XAVC S-I recording in a 3:2 aspect ratio with full-sensor readout, an optimized user interface for vertical shooting, and a single-frame capture function.

Package Contents

Camera, NP-SA100 battery, BC-SAD1* battery charger, XLR grip, accessory shoe kit, body cap, accessory shoe cap, viewfinder port cap, grip shoe cap

* A USB-PD-compatible power adapter and a USB cable are not included with the BC-SAD1 battery charger (included in the package). To charge two batteries simultaneously, a USB-PD-compatible power adapter capable of delivering at least 45 W is required. To charge a single battery, a USB-PD-compatible power adapter capable of delivering at least 27 W is required. In both cases, a USB cable that supports USB-PD is required.

The FE 16-35mm F2.8 GM II is Sony's new groundbreaking G Master wide-angle zoom lens.
This Lens is designed to meet the growing needs of photographers and videographers. It combines unsurpassed optical performance, lightning-fast autofocus, and exceptional versatility in a more compact and lightweight form.

Its advanced processing technology ensures high resolution, reduced chromatic aberration, and minimized reflections and ghosting - the perfect Lens for outstanding shooting. With four XD linear motors, this lens offers exceptional AF performance, fast tracking, and even Breathing Compensation, making it suitable for both photography and film production.

As the world's smallest and lightest F2.8 wide-angle zoom lens, it offers unparalleled portability and, when combined with other fast lenses, reduces overall system weight. The dust- and moisture-resistant design and fluorine coating provide outstanding control and reliability.

The SEL1635GM2 enables creators to realize their creative visions with cutting-edge lens technology.

Superior optics: outstanding resolution and impressive bokeh:
The new G Master FE 16-35mm F2.8 GM II delivers premium image quality from the center of the frame to the edges. Minimized ghosting and reflections even in difficult lighting conditions, with a low minimum focus distance of 0.22 mm - for professional content in any situation.

Compact and without compromise:
Designed with a special Sony optical solution, the FE 16-35 mm F2.8 GM II is smaller as well as lighter than the previous generation. Weighing only 547g, this Lens can be easily carried even on long days. Thanks to its unique design, the zoom barely extends, so the balance of the lens is not affected for use with a gimbal.

Lightning-fast autofocus: fluid and precise:
Thanks to Sony's XD linear motor technology, this Lens offers outstanding autofocus performance - precise, fast and quiet - for photographers and filmmakers. It rivals the latest autofocus system in Sony's Alpha cameras, offering a seamless experience when tracking a subject, even when zooming in.

Precision and Reliability: Created for Peak Performance:
The FE 16-35mm F2.8 GM II offers versatile control for stills and video, ensuring a professional workflow, maximum flexibility, and now lets you benefit from the latest features in Sony's latest lenses. With its dust- and moisture-resistant design, it offers high reliability indoors and out.

Forward-thinking:
Sony lenses can also be used to make the most of the features of Sony's next camera. Combined with a current Alpha camera, exceptional features can be utilized, such as shooting up to 30 bps with the Alpha 1. The incredible autofocus tracking in great 4K120p resolution sets a new standard for all photo and video shooting.

Included in delivery:
Lens hood (ALC-SH177)
Front lens cap (ALC-F82S)
Rear lens cap (ALC-R1EM)
Case
Belt